Netherlandish Networks

Peter Paul Rubens, Portrait of Daniel Nijs, c. 1612-15, Oil on Oak, Dayton OH, Art Institute

Another contact of Lady Arundel in Venice was the merchant and agent Daniel Nijs. Nijs was friends with Fialetti, who years before had introduced him to the author Giulio Cesare Gigli. Continue reading “Netherlandish Networks”

Tizianello’s Life of Titian


Odoardo Fialetti after Agostino Carracci after Titian, Portrait of Titian, c. 1622, Etching, 150 x 120 mm , Hamburg, Kunsthalle

As generous as she was towards Fialetti, Lady Arundel was also towards Tiziano Vecellio, known as Tizianello, the great-nephew of the great master of the same name. Lady Arundel’s agenda in Venice becomes particularly clear in this peculiar case of attraction and betrayal. Continue reading “Tizianello’s Life of Titian”

Attracting Anthony

Anthony van Dyck, The Continence of Scipio, 1620–1621, Oil on Canvas,
183 x 232 cm, Oxford, Christchurch Picture Gallery

The Countess was a passionate admirer of Italy and of Italian art. Lady Arundel’s father, Gilbert Talbot, Earl of Shrewsbury, had already visited Venice around 1570 when he, like Lady Arundel’s sons, had studied at the University of Padua. He shared his admiration for the arts with his wife Mary Cavendish. On her first trip to Italy, Lady Arundel was in regular contact with artists and art agents. During her visit to Rubens’ workshop, Lady Arundel also met his already famed colleague, Anthony van Dyck. Continue reading “Attracting Anthony”